Showing posts with label catherynne m. valente. Show all posts
Showing posts with label catherynne m. valente. Show all posts

Tuesday, February 26, 2013

REVIEW: The Girl Who Fell Beneath Fairyland and Led the Revels There


The Girl Who Fell Beneath Fairyland and Led the Revels There
by Catherynne M. Valente

“She did not know yet how sometimes people keep parts of themselves hidden and secret, sometimes wicked and unkind parts, but often brave or wild or colorful parts, cunning or powerful or even marvelous, beautiful parts, just locked up away at the bottom of their hearts. They do this because they are afraid of the world and of being stared at, or relied upon to do feats of bravery or boldness. And all of those brave and wild and cunning and marvelous and beautiful parts they hid away and left in the dark to grow strange mushrooms—and yes, sometimes those wicked and unkind parts, too—end up in their shadow.” 

September once went to Fairyland. She went on a quest, and lost her heart, and saved Fairyland from the evil Marquess. Now she is back home in Wisconsin, waiting for the day when her chance will come again. When it finally does, September returns to a Fairyland very unlike the one she left. And it seems to be mostly her fault. The shadow that she sold in Fairyland in return for a girl's life has taken over Fairyland-Below and begins to steal the shadows of those people above. The shadows hold the darker, more passionate, hidden desires of the bearer, and most of the magic as well. Fairyland is being drained of magic as September's shadow, The Hollow Queen, Halloween, "frees" the shadow people and builds up her kingdom below.

Last time, September was a heartless child. She was selfish, in the unapologetic way children are selfish, and her adversaries are external. She creates a boat out of her own clothes and hair and kills a fish with her bare hands. She wrestles her best friend to get a wish. She defeats a girl who is very like herself, or who she could have been. This time, September is older. She has a growing heart, as the book says, as she enters her early teens. Her adventures are internal, examining the idea of relationships through the eyes of deer people who see marriage as hunting and slavery. She struggles with shadows of friends she thought she knew. She wants to find the thing she is supposed to do with her life. She feels she has lost the wilder parts of herself since she has lost her shadow, but she equated it with growing older and more sensible. While the obstacles she faces are quieter and subtler than those in the first book, they touch the heart of one who feels she has lost her wildness from growing up.

Again, Valente creates a glorious world, this time Fairyland-Below. The shadow people, the Goblin Market, the Vicereine of Coffee and the Duke of TeaTime, the Forgetful Sea, the kangaroo-like miners who wear memories as a necklace, the Onion Man, the Prince sleeping at the bottom of the world, Quiet Magic (which I want to master), and the chilling, yet sad Alleyman who is responsible for stealing shadows for the Hallow Queen.

And as always September's lessons ring true for the reader, wisdom is dropped like breadcrumbs. Here are a few of my favorites:

- “For there are two kinds of forgiveness in the world: the one you practice because everything really is all right, and what went before is mended. The other kind of forgiveness you practice because someone needs desperately to be forgiven, or because you need just as badly to forgive them, for a heart can grab hold of old wounds and go sour as milk over them.”


- “I’m a monster,” said the shadow of the Marquess suddenly. “Everyone says so.”

The Minotaur glanced up at her. “So are we all, dear,” said the Minotaur kindly. “The thing to decide is what kind of monster to be. The kind who builds towns or the kind who breaks them.”

- “For though, as we have said, all children are heartless, this is not precisely true of teenagers. Teenage hearts are raw and new, fast and fierce, and they do not know their own strength. Neither do they know reason or restraint, and if you want to know the truth, a goodly number of grown-up hearts never learn it.”



- “Because it's my fault, you see. I did it. And you must always clean up your own messes, even when your messes look just like you and curtsy very viciously when what they mean is, I am going to make trouble forever and ever.”

- “Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.”

Books Like This:
The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente
Un Lun Dun by China Mieville


Monday, May 14, 2012

REVIEW: The Girl Who Circumnavigated Fairy Land in a Ship of her Own Making by Catherynne M. Vanente



The Girl Who Circumnavigated Fairyland in a Ship of her Own Making
by Catherynne M. Valente

“There must be blood, the girl thought. There must always be blood. The Green Wind said that, so it must be true. It will be all hard and bloody, but there will be wonders, too, or else why bring me here at all? And it's the wonders I'm after, even if I have to bleed for them.”

September is a heartless girl, bored of her life, fed up with her mom who works in a factory all the time, and with her dad who left for war. So, when the Green Wind comes to abduct her to Fairyland, she doesn't even say goodbye, or leave a note. She must do favors for witches, befriend a wyverary (a wyvern whose father was a library), outwit the evil Marquess, and, as the title implies, circumnavigate fairy land after she looses her shadow and her heart.

This was an exceptional book, even more exceptional that it was juvenile fiction. It did not pull punches, either emotionally, complex-ily (if that is a word... meaning that it did not paint the world in black and white), and vocabularically.

It reads as a modern day Alice in Wonderland. September is just as curious, just as impertinent, and just as heartless as Alice, and she meets strange and fantastic things, like the herds of bicycles that roam the land, or the half-people who can only speak in complete sentences when joined together, discarded furniture that takes on a life of its own when it is 100 years old, or the land of Autumn.

While Alice simply wanders and has things happen to her, however, September struggles with morality in a morally grey world (does she aquiess to the evil queen to save her friends? Is the evil queen very different from herself?). There is a wonderful theme of what it is to be chosen and what it is to make a choice.

Early in the journey, she is given the choice to loose her way, lose her mind, or loose her heart. Since she was heartless, she chose to loose her heart. She managed quite well until she grew to deeply care for the friends she made. When she looses them, all hell breaks loose, and you can see what a twelve-year-old girl is really capable of.

This is not pretty Narnia adventure hardship. September must make a raft using her clothes and her hair so she stands naked and shorn against the elements. She bludgeons a fish to death out of desperation, and nearly die horribly several times to get where she needs to go, and even then, she has not faced the worst.

She is the embodiment of badass heroine who does what needs to be done and sacrifices what she has to to save the ones she loves.

It also make an incredible statement about regulation. The marquess has started to bring over rules and regulations to Fairyland to make it "safe" for children who cross over. But that is not the point of Fairyland. It must be dangerous and hard, so the children can emerge strong and confidant and brave. Same thing could be said with a lot of things in our world, including regulation of books and education.

I recommend this to everyone!


There are so many good quotes, I have to add this one at the bottom:

“When you are born,” the golem said softly, “your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk, and crusty things, and dirt, and fear, and knowing how bad things can get and what pain feels like. By the time you’re half-grown, your courage barely moves at all, it’s so grunged up with living. So every once in awhile, you have to scrub it up and get the works going, or else you’ll never be brave again.”